This arrangement allows me to either give a different effect or color-grading treatment to the sky than to the foreground, or replace it altogether. Simply use the Roto Brush to select the general area you want to track, just as in After Effects CS6, and then select the Refine Edge Tool to paint over the edges that need more detailed refinement, such as the trees against the sky. With the addition of the Refine Edge Tool, getting a clean edge around features such as hair, animal fur, or even trees on the horizon is as easy as wiping a brushstroke over the edges where you need more detail. The Roto Brush is my favorite tool because I rely on it for my compositing work. This way, After Effects CC looks and feels exactly the same no matter where I’m working on a particular day. The best part is being able to sync my user preferences and settings when I change machines. Once I’m done for the day, I log out the software remains installed, but it is not functional until I log back in again on my next visit.
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Because I have the option to log in to Creative Cloud, I can download and install After Effects CC (or any other CC software) and use it on my clients’ machines.
Working animators and motion-graphics specialists often have long-term assignments on-site with clients who may not have the latest software. As a user, I no longer have to wait for new features or tool enhancements, because they become available as soon as the developers test them and ready them for distribution-they aren’t restricted to an arbitrary schedule.īetter still, my license can follow me wherever I’m working. The two primary benefits are continuous upgrades and the accessibility and flexibility of the software license. The benefits of Creative Cloud have turned out to be the most talked-about topic since Adobe’s announcement of the subscription-only program.